Wednesday, October 21, 2026

The AI You Don't See: The Companies, Industries, and Everyday Systems Already Running on Artificial Intelligence

THE AI YOU DON'T SEE

The Companies, Industries, and Everyday Systems Already Running on Artificial Intelligence

Artificial intelligence has become one of the most controversial subjects on the internet. Mention AI-generated artwork, music, or writing, and you're almost guaranteed to start an argument. People condemn it, boycott it, ridicule it, and sometimes demand that anything created with AI be banned entirely.

But there's something interesting about all this outrage.

Many of those same people are using artificial intelligence every single day without realizing it.

They're scrolling through AI-curated social media feeds, listening to algorithmically recommended music, watching videos processed with AI-powered software, shopping through recommendation systems, and consuming entertainment distributed by companies that have invested heavily in artificial intelligence.

And that's before we even get into banking, healthcare, transportation, manufacturing, and the publishing industry.

AI didn't suddenly appear when ChatGPT became popular. Various forms of artificial intelligence and machine learning have been operating behind the scenes for decades.

So perhaps it's time to examine who's actually using it.

And unlike the endless arguments about whether somebody used AI to create a picture, we're going to name some names.

FACEBOOK, INSTAGRAM, AND REDDIT: THE PLATFORMS DECIDING WHAT YOU SEE

Let's begin with Meta, the corporation behind Facebook and Instagram.

In June 2023, Meta publicly described 22 AI-powered systems responsible for various experiences across its platforms.

These systems help determine which posts appear in your feed, which videos are recommended, which accounts you might want to follow, and which content receives greater visibility.

That means two people following similar accounts can have completely different experiences because automated systems are predicting what each person is most likely to engage with.

The interesting part is that these systems don't simply display information chronologically. They evaluate signals, predict behavior, and rank content accordingly.

Now consider Reddit.

In July 2026, Reddit announced that its expanded AI defenses had reduced users' exposure to spam by 20%, revoked nearly two million fake votes per day, and dramatically reduced enforcement times for certain harmful content.

Reddit uses automated systems to help identify spam, coordinated manipulation, and violations of platform policies.

Not every removed post is an AI decision. Human moderators, automated rules, and machine-learning systems all play different roles.

Nevertheless, artificial intelligence is now part of the machinery that helps govern what users see and what gets removed.

Think about that the next time somebody uses an AI-assisted platform to complain that artificial intelligence has no place on the internet.

SPOTIFY: ARTIFICIAL INTELLIGENCE BEHIND THE MUSIC

The music industry provides one of the clearest examples of how deeply AI has become integrated into everyday entertainment.

Spotify uses machine learning and personalized recommendation systems to help determine what music listeners discover.

Discover Weekly, Release Radar, and personalized mixes are examples of algorithmically programmed experiences.

Spotify also introduced its AI DJ, which combines personalized music selection with generated commentary. In 2026, the company expanded features allowing users to describe the music they wanted and receive personalized selections.

This technology analyzes listening history, preferences, and other signals to predict what somebody might enjoy.

But here's where things become interesting.

A musician might spend months writing, recording, mixing, and mastering an entirely original album without using generative AI anywhere in the creative process.

Once that album reaches Spotify, however, AI-powered recommendation systems may influence who discovers it.

The music itself can be completely human-made while artificial intelligence participates in its distribution and discovery.

Spotify has also taken steps to combat AI-generated spam and deceptive music uploads.

There is a legitimate distinction between using AI to help listeners discover music and using generative AI to create the music itself.

But both are uses of artificial intelligence within the same industry.

And Spotify is hardly alone.

YOUTUBE: COPYRIGHT, CAPTIONS, AND RECOMMENDATIONS

YouTube, owned by Google, relies on automated technologies throughout its platform.

Its recommendation systems help determine which videos appear on homepages and in suggested viewing.

AI-powered speech recognition helps generate automatic captions.

YouTube also operates Content ID, an automated copyright-identification system that scans uploaded videos against reference material supplied by copyright owners.

When a match is found, a rights holder may choose to block, monetize, or track the video.

Content ID is an automated matching system; it should not simply be confused with modern generative AI. Nevertheless, it demonstrates how extensively technology can analyze creative material without a human examining every upload.

For independent musicians, filmmakers, and video creators, automated identification and recommendation systems can significantly affect the visibility and monetization of their work.

And the average viewer rarely thinks about any of this.

They simply click Play.

ADOBE: AI INSIDE THE CREATIVE TOOLBOX

Now let's talk about a company used by professional photographers, graphic designers, filmmakers, and other creative professionals.

Adobe.

Artificial intelligence is integrated into several Adobe products, including Photoshop and Premiere Pro.

Adobe's Firefly technology offers generative image and video capabilities.

Premiere Pro includes AI-powered features such as Media Intelligence, automatic caption translation, and Generative Extend.

Generative Extend can create additional frames of video or extend certain background audio to help an editor complete a transition.

Consider the implications.

A professional filmmaker might shoot every frame with a real camera, work with real actors, and spend weeks editing a project. Yet AI-powered software may still assist with searching footage, preparing captions, or extending a shot.

Does that automatically make the finished film an AI-generated production?

Of course not.

It means AI was used as part of the production process.

That's a distinction worth remembering when people begin declaring that any involvement of AI invalidates a creative work.

The degree of involvement matters.

NETFLIX: THE TECHNOLOGY BEHIND WHAT YOU WATCH

Netflix has invested in machine learning for years.

Its recommendation systems analyze viewing behavior and other information to help viewers discover films and television programs.

The company has also published research on using machine learning to personalize artwork and improve recommendation systems.

Think about the familiar experience of opening Netflix and seeing rows of suggested movies.

Those selections aren't identical for every subscriber.

The platform is attempting to predict which titles will interest each viewer.

And the technology goes beyond simply recommending a movie.

Netflix has described machine learning as part of multiple areas of its business, including personalization and other operational applications.

A film can be written, directed, photographed, and performed entirely by human beings, while machine-learning systems influence how audiences encounter it.

Once again, the distinction is between the creation of a work and the technology surrounding its delivery.

AMAZON: AI IN SHOPPING AND BOOK PUBLISHING

Amazon is particularly interesting because its relationship with artificial intelligence extends across retail, logistics, cloud computing, and publishing.

Amazon has publicly stated that it has used AI and machine learning in customer-facing systems and internal operations for more than 25 years.

Its technology supports shopping recommendations, warehouse robotics, and other operations.

Now consider Kindle Direct Publishing, or KDP.

Amazon requires publishers using KDP to disclose AI-generated text, images, or translations.

But Amazon makes an important distinction.

If AI actually generates material used in a book, that content falls under its AI-generated disclosure rules.

If an author writes the material and uses AI to edit, refine, check errors, or brainstorm ideas, Amazon classifies that as AI-assisted and does not require the same disclosure.

Amazon also acknowledges that it uses machine learning, automation, and human reviewers to help enforce publishing guidelines.

In other words, the company distinguishes between different types of AI use while employing machine learning within its own publishing operations.

That's not necessarily hypocrisy. There are legitimate differences between creating content and administering a publishing platform.

But it does demonstrate how much more complicated the subject is than simply declaring everything involving AI unacceptable.

APPLE BOOKS AND AUDIBLE: WHEN THE NARRATOR ISN'T HUMAN

Audiobooks provide an especially interesting example.

Apple Books offers digital narration technology that can convert eligible ebooks into audiobooks using synthetic voices.

Apple describes the process as combining advanced speech synthesis with work by linguists, audio engineers, and quality-control specialists.

The purpose is partly to make audiobook production more accessible to independent authors and smaller publishers who cannot afford traditional narration.

Amazon-owned Audible has also explored AI-generated narration through its ACX platform.

Its voice-replica program allows participating professional narrators to create synthetic versions of their own voices and potentially license those voices for audiobook projects.

These developments raise legitimate questions about employment, consent, compensation, and the future of professional narration.

But they also reveal something important.

Artificial intelligence isn't merely being used by independent creators experimenting with inexpensive tools.

Major companies are actively developing commercial systems around it.

INGRAM AND THE BOOK DISCOVERY SYSTEM

Book publishing doesn't end when somebody finishes writing a manuscript.

A book needs metadata, distribution, catalog placement, and discoverability.

Ingram Content Group, one of the major companies serving the publishing industry, has discussed how AI-driven search is changing book discovery.

Metadata includes information such as titles, author names, descriptions, categories, and other identifying details.

These details help retailers, libraries, and search systems locate books and present them to potential readers.

Not all book discovery systems use AI, and metadata management itself is not automatically artificial intelligence.

However, as AI-powered search expands, the systems connecting readers to books are changing.

An author might write an entire novel without ever touching a generative AI program, yet its discoverability may increasingly be influenced by AI-based search and recommendation tools.

The publishing industry is not operating in some technologically isolated world.

It is part of the same evolving infrastructure as every other industry.

GOOGLE: AI IN ORDINARY DAILY ROUTINES

Artificial intelligence isn't limited to entertainment.

Consider Google Maps.

Google has explained how it combines historical traffic patterns with live traffic information and machine learning to predict road conditions.

When somebody opens Maps to find the fastest route to work, AI may help estimate traffic conditions and arrival times.

Gmail uses AI-powered spam filtering to help identify phishing attempts, suspicious messages, and unwanted email.

Google Search also uses AI in various aspects of understanding queries and delivering information.

People rely on these systems constantly, often without giving the technology a second thought.

The same person who refuses to read an AI-assisted article may use AI-powered navigation to get to work, AI-filtered email throughout the day, and AI-curated entertainment that evening.

There's nothing inherently contradictory about choosing which uses of AI to support.

But there is a contradiction in claiming that AI has no legitimate purpose while depending on systems that use it.

BEYOND THE INTERNET: BANKS, HOSPITALS, AND WAREHOUSES

The applications extend much further.

Financial institutions use machine learning to help identify fraudulent transactions and suspicious account activity.

Healthcare organizations use AI-assisted systems in medical imaging, clinical documentation, research, and certain diagnostic workflows.

Retail companies use predictive systems to estimate demand and manage inventory.

Manufacturers use computer vision to identify defects and predictive maintenance systems to anticipate equipment problems.

Transportation companies use AI and other optimization technologies to improve logistics and route planning.

Not all these systems are generative AI. Some are predictive models, some involve computer vision, and some rely on conventional algorithms.

That's exactly why the distinction matters.

Artificial intelligence is a broad category of technology, not a single program that writes stories or generates pictures.

THE DOUBLE STANDARD IN THE CREATIVE WORLD

This brings us to the larger question.

Why does AI become such an explosive subject when an individual uses it creatively, while the extensive use of AI by major corporations often receives considerably less attention?

Part of the answer is understandable.

Artists, writers, musicians, and other creative professionals have legitimate concerns about unauthorized training data, copyright, compensation, impersonation, and the possibility of losing work to automation.

Those concerns deserve serious discussion.

There is also an important difference between a company using machine learning to detect fraud and a generator producing artwork based on patterns learned from existing creative material.

Treating those activities as identical would be misleading.

But the conversation becomes equally misleading when people act as though AI begins and ends with image generators, chatbots, and music-generation programs.

It doesn't.

A musician can create a song entirely by hand and have it recommended through machine learning.

A writer can produce a completely original manuscript and publish it through a platform that uses AI-assisted enforcement systems.

A filmmaker can shoot a production with real actors and use AI-assisted software during editing.

A photographer can capture a real image and use AI-powered tools to remove noise or improve its technical quality.

These are different situations, and they deserve to be judged on their actual circumstances.

Instead, the conversation frequently collapses into two categories: AI or not AI.

That's an oversimplification of an extraordinarily complicated subject.

SO WHERE DO WE DRAW THE LINE?

I'm not suggesting that every use of artificial intelligence should be accepted without question.

I'm certainly not suggesting that concerns about copyright, creative ownership, or employment should be ignored.

And I'm not arguing that AI-generated content and human-created work are interchangeable.

What I am suggesting is that we need a more intelligent conversation.

If someone objects to AI because of how models are trained, that's a legitimate issue to investigate.

If someone objects because a company is replacing workers, that's another legitimate concern.

If someone simply prefers art, literature, or music created entirely by human beings, that's a perfectly reasonable personal choice.

But those are specific positions.

They are considerably more meaningful than shouting that all AI is worthless while using AI-powered systems throughout the day.

The important questions should be about transparency, consent, ownership, compensation, accuracy, and how the technology is being used.

Not merely whether the letters A and I appear somewhere in the process.

THE AI YOU DON'T SEE

Artificial intelligence is already woven into modern society.

It's helping determine what people watch, what music they discover, what products they encounter, what emails reach their inboxes, and how information moves through enormous digital systems.

It's involved in entertainment, commerce, publishing, medicine, transportation, and countless other industries.

Most of these applications operate quietly in the background.

There is no flashing notification announcing that machine learning helped select your next song or estimate your drive home.

And perhaps that's the most revealing part of the entire debate.

When AI is visible, people argue about it.

When AI is invisible, they often don't even realize they're using it.

The real discussion shouldn't be whether artificial intelligence exists in our everyday lives.

That question has already been answered.

The real discussion is how we choose to use it, who benefits from it, who may be harmed by it, and whether we're willing to apply the same scrutiny to major corporations that we apply to individual creators.

Because artificial intelligence isn't waiting for permission to enter everyday life.

It's already here.

And it has been for quite some time.

Tuesday, October 13, 2026

From the Pages to the Shadows: What's Happening at Distorted Light Studio

 



Distorted Light Studio has never been about staying within one particular medium. Whether it's writing horror stories, creating disturbing artwork, designing merchandise, or developing new projects, the idea has always been the same: create something different and see where it leads.

Over the past several months, a number of those ideas have become finished products. Three are now available through Lulu, additional designs are available through Midnight Supply Company, and another project is currently in development.

Here's a look at what's available and what's coming next.

THE HOUSE OF BROKEN SLEEP: COLLECTED NIGHTMARES

Available now on Lulu

Some nightmares end when you wake up. Others stay with you long afterward.

The House of Broken Sleep: Collected Nightmares is a collection of 17 original horror stories from Distorted Light Studio.

The collection explores different corners of horror, from unsettling encounters and psychological disturbances to situations where ordinary life takes a turn into something far more disturbing.

Rather than following one particular type of horror, each story stands on its own, offering a different experience.

For readers who enjoy strange circumstances, uncomfortable possibilities, and stories that leave something lingering in the imagination, this collection opens the door.

View The House of Broken Sleep on Lulu

DARKNESS BETWEEN THE LINES: AN ADULT HORROR COLORING BOOK

Available now on Lulu

Horror doesn't always have to be something you read or watch. Sometimes, you can become part of the creative process.

Darkness Between the Lines is an adult horror coloring book featuring 40 original illustrations.

The artwork explores creatures, unsettling figures, dark imagery, and other subjects drawn from the more disturbing side of imagination.

Each illustration is printed on its own page, with a blank reverse side, allowing readers to approach the artwork however they choose.

There are no rules for how these images should look when finished. That's entirely up to the person holding the pencils, markers, or whatever else they decide to use.

Explore Darkness Between the Lines on Lulu

TEHOM — MORPHAI ABYSSOU: THE DEEP — FORMS OF THE ABYSS

2027 Art Calendar — Available now on Lulu

The latest addition to the Distorted Light Studio collection takes horror into a different direction.

TEHOM — MORPHAI ABYSSOU: The Deep — Forms of the Abyss is a 2027 art calendar built around the concept of an ancient illustrated document containing records of strange beings and impossible forms.

Each month features a different illustrated plate, presented with the atmosphere of a recovered artifact or forgotten bestiary.

The artwork combines disturbing creatures, mysterious environments, and an aged visual presentation designed to make the calendar feel like something discovered rather than something recently created.

Twelve months. Twelve illustrated encounters with the unknown.

It's a calendar, but it's also a yearlong collection of dark artwork.

View the 2027 TEHOM Calendar on Lulu

MIDNIGHT SUPPLY COMPANY: WEAR THE DARKNESS

Apparel and merchandise available on Amaze

Not everything coming out of Distorted Light Studio belongs on a bookshelf.

Midnight Supply Company is where my artwork and ideas move into apparel and other merchandise.

The store features designs ranging from horror-inspired imagery and the darker creations of ABOMINARIUM to music-related artwork, original graphics, and designs that don't necessarily fit into any particular category.

Some designs are disturbing. Others are strange, humorous, or simply something I felt like creating.

The store operates through Amaze, so products are made to order without the need for me to maintain physical inventory.

Visit Midnight Supply Company on Amaze

COMING SOON: NOCTERUM MORTERIS — THE NIGHT OF MORTAL THINGS

An original horror tarot deck

Another project currently in development is NOCTERUM MORTERIS: The Night of Mortal Things.

This is a complete 78-card tarot deck, built around traditional tarot structure but reimagined through the visual world of gothic horror, mortality, symbolism, and dark illustration.

The deck features the 22 Major Arcana and 56 Minor Arcana, with an original visual identity combining aged ivory, distressed black, deep crimson, and elaborate gothic detailing.

The artwork and symbolism have been developed as a cohesive collection rather than a series of unrelated images.

The deck is being prepared for production through The Game Crafter, with packaging and presentation receiving the same attention as the cards themselves.

NOCTERUM MORTERIS is not available for purchase yet. More information will be shared as the project moves closer to release.


MORE THAN ONE WAY TO CREATE

Distorted Light Studio was never intended to be limited to books, illustrations, or any single category.

One idea might become a short story. Another might become a piece of artwork, a shirt, a calendar, or an entirely different kind of project.

I don't particularly care about fitting everything into one genre or following a particular trend. I create what interests me, experiment with different approaches, and move on to whatever idea comes next.

Some projects take weeks. Others take months. And some develop into something completely different from what I originally imagined.

That's part of the process.

For anyone interested in exploring what's already available, the books and calendar can be found through Lulu, while apparel and merchandise are available through Midnight Supply Company on Amaze.

And there's more in development.

DISTORTED LIGHT STUDIO

Stories. Art. Madness.

Thursday, October 1, 2026

When Your Stories Find Another Voice


There’s something strange—in a good way—about hearing a story you wrote coming out of someone else’s speakers.
Two of my horror stories have now been adapted by other creators, each in a completely different format.
The Previous Tenant Left Me a List of Rules was recently narrated by Stefan Jenkins on YouTube. Stefan contacted me beforehand and asked permission to narrate the story, which I was happy to give him.
He didn’t just read it, either. At the end of the narration, he gives his own commentary and thoughts about the story and the writing. Hearing somebody else interpret the atmosphere, pacing, and events is a very different experience from reading your own words on a screen.
YouTube
Then there’s The Replacement, which was featured on The Make Me Believe Podcast as part of their episode “50. The Imposters.” The episode features two unsettling stories built around people who aren't quite what they seem.
Spotify
I originally wrote these stories simply because I wanted to tell horror stories. Seeing people read them was already the goal. Having other creators decide that one of those stories is worth narrating, discussing, or bringing to their own audience is something I didn't expect.
And that's probably the coolest part.
Once a story leaves your hands, readers create their own version of it in their heads. A narration takes that another step. Suddenly the characters have voices. The pauses happen somewhere you might not have expected. Certain lines hit differently. Something that existed as words becomes a performance.
So if you'd like to experience a couple of my stories instead of just reading them, check these out—and while you're there, give the creators some support for taking the time to bring them to life.
The stories may have started with me. These versions belong to the voices that picked them up.